Welcome to The Byrds Fan Site!

Reliving the Awesomeness of The Byrds

David Crosby

 

Rhythm Guitar, Vocals

 

Roger (Jim) McGuinn

Lead Guitar, Vocals

Gene Clark

Tambourine, Vocals

Chris Hillman

Base Guitar, Vocals

Michael Clarke

Drums

Popular Songs by The Byrds

Videos on YouTube

Mr. Tambourine Man – 1965

 

Turn, Turn, Turn – 1965

 

I’ll Feel a Whole Lot Better – 1965

 

So You Want to Be a Rock n Roll Star – 1967

 

The Byrds Discography

1965 – Mr. Tambourine Man

1966 – Fifth Dimension

1966 – Turn! Turn! Turn!

1967 – Younger than Yesterday

1968 – The Notorious Byrd Brothers

1968 – Sweetheart of the Rodeo

1969 – Live at the Fillmore West February 1969

1969 – The Ballad of Easy Rider

1969 – Dr. Byrds & Mr. Hyde

1970 – Untitled

1971 – Byrdmaniax

1972 – Farther Along

1973 – The Byrds

1989 – Never Before

1995 – Star Rockets

2001 – Play the Songs of Bob Dylan


The Byrds are an American rock band that was established in 1964 in Los Angeles, California. The group formally disbanded in 1973. During that time, the band endured multiple lineup changes, and when all was said it done, there had been 11 members altogether. That membership included Roger McGuinn — known previously as Jim McGuinn — the iconic lead singer and guitarist on many Byrds’ records, and David Crosby, who’s enjoyed a prolific music career solo and also as a part of Crosby, Stills & Nash.

Read more on the Biography page.

The Byrds Membership Timeline 1964 – 1973

Original Members

Roger McGuinn – lead guitar, banjo, Moog synthesizer, vocals (1964–73, 1989–91, 2000)
Gene Clark – tambourine, rhythm guitar, harmonica, vocals (1964–66, 1967, 1972–73, 1991)
David Crosby – rhythm guitar, vocals (1964–67, 1972–73, 1989–91, 2000)
Michael Clarke – drums (1964–67, 1972–73, 1991)
Chris Hillman – bass guitar, rhythm guitar, mandolin, vocals (1964–68, 1972–73, 1989–91, 2000)

Subsequent Members

Kevin Kelley – drums (1968)
Gram Parsons – rhythm guitar, piano, organ, vocals (1968)
Clarence White – lead guitar, mandolin, vocals (1968–73)
Gene Parsons – drums, banjo, harmonica, pedal steel guitar, rhythm guitar, vocals (1968–72)
John York – bass guitar, vocals (1968–69)
Skip Battin – bass guitar, piano, vocals (1969–73)

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1964-1967

Sep 10, 2018 by wackodeluxe

Was so happy to see pictures of the original 5 Byrds on site.
The Byrds as a group ended with Sweetheart of the Rodeo.
Prefer McGuinn Hillman Clark first album. Underrated.


McGuinn/Hillman tonight

Sep 09, 2018 by Joe Gallagher

Okay, in a few hours I'm off to see/hear the Sweetheart of the Rodeo show with Marty Stuart and his band backing Roger McGuinn and Chris Hillman, who, it is said, will sing all of Sweetheart and a bunch of others songs, and tell some stories. Couldn't be more excited.


Jul 25, 2018 by chuck

FAR OUT!!! Loved these guys in the sixties and still do today great web site


A Byrds Documentary

May 25, 2018 by David S. Smith

It's high time for a first class Byrds documentary...unless it's already been done?? Anybody know of a good feature length production?


The Byrds

Apr 07, 2018 by Slim

great review if even if its more than 20 years old


The Byrds legacy through time

Mar 08, 2018 by Mark James Meli

Throughout my 45 years as a Byrds fan, I've found that in spite of a rotating roll call of members, each era had their own unique contribution. From Dylan disciples off the folk boom to psychedelic poet cowboys to country pop to bluegrass infused power rock - the Byrds covered all the bases, and quite nicely. You may have a particular era that's your favorite, but each period pushed the boundaries of the times and music they were a part of. Not too many bands do that.


Mar 03, 2018 by Maurice Nyman

Adore The Byrds. Got into them via some obvious singles years ago. Virtually listen to 60s sounds (mainly psych,folk) with perhaps some early 70s thrown in. My first bands were I suppose The Beatles,Stones and yes,even The Monkees. Only fairly recently starting to listen properly to Crosby and McGuinn solo albums.
Fav albums are Younger Than Yesterday,Fifth Dimension and Notorious.


gene

Feb 11, 2018 by ninna

I meet gene and the byrds in london 1965 they were great
loved their music


echoes in black and white

Jan 31, 2018 by william

The Byrds were purported to be America's answer to the Beatles but that was just a marketing ploy developed by the record industry.

Rather, the Byrds were a phenomenon that evolved because the time was ripe for musicians who had diverse musical backgrounds to stage a coup d'état in the increasingly stagnant American Rock & Roll scene.

What is interesting to note is that American Rock & Roll music started out as Black R&B in 1951 with "Rocket 88" by Ike Turner. But due to discrimination and Racism, most Black musicians could not gain a wide range of national success until after the British invasion because US Black R&B, Blues, Jazz and Gospel Records influenced young British kids in the 1950s and they brought "American" music back to the US.

The Byrds were Americas answer to its double standard and racist tradition of highlighting White accomplishments while excluding Black or Brown accomplishments.

Diversity was the nucleus of the Byrds.. Roger McGuinn was influenced by gospel, R&B, folk and classical. Gene Clark was part Native American with folk, Rock, R&B influeces. David Crosby came in with Bossa Nova, folk, R&B and Jazz. Chris Hillman was influenced by Jazz, R&B, folk and country and Michael Clarke was influenced by R&B, Jazz, West African and Caribbean music. All these influences made up the core of the Byrds prior to the groups existence. There would be more influences including South African music like Cothoza Mfana and Mbaqanga as well as Indian Raga music.

Indeed, the Byrds unlike the Beatles, dove into diverse music because their early musical exposure had been extremely eclectic. The Beatles like most UK bands were limited to Blues, Jazz and R&B which was enough to start a musical revolution in England that would eventually evolve within a few short years. But one must understand the complexity of the Byrds sound specially with the contributions David Crosby brought to the forefront of the band. Bossa Nova, Raga, Jazz sounds in compositions like "I don't know", "Why" "Everybody's been burned" and "Psychodrama City". McGuinn's instrumental genius in the formation of 8Miles High though Gene Clark and Brian Jones of the Rolling Stones actually wrote all the lyrics except a single word contribution by Crosby. McGuinn was at his best when he arranged music. Sadly, he wasn't a great lyricist like Gene Clark who had a penchant for writing anything at a drop of a dime. Chris Hillman's own bass playing does equal that of Paul MccCartney's own melodic bass arrangements but Hillman's actually more influenced by jazz improvisational form and delivery which brought in a fresh angle to all Byrds music from 1965-1968.

The Byrds were never able to maintain their eclectic level of production and experimentation for many reasons. They were too young, external forces brought them to a level of commercial success that unlike the Beatles, was not organic. Lennon, McCartney and George Harrison had been playing together for 8 years before they arrived in America. The Byrds were a moment that occurred and then it was gone. Their contributions though should be further examined. In a more critical level though Johnny Rogan has made an exquisite overview with Requiem for the Timeless Volume 1. A 380 plus page history of the Byrds publication that he had been revising since 1980.

Why the Byrds? because they created a treasure trove and left before they could be properly embraced and analyzed in a critical manner. In time, we will eventually see a resurgence of this groups influence unlike anything that has come before.


The Byrds Review

Jan 18, 2018 by Craig Thompson

I find the pop music history of the 60’s to be very fascinating…in 1964; the music scene was basically recycled 1950’s sounds with a lot of Elvis clones. There was the California surf / hot rod sound of the Beach Boys and Jan and Dean.

But…when the Beatles hit America in early 1964, every thing changed forever (also helped by President Kennedy’s assignation on 11/22/63). During 1964, the British invasion shook the music industry…American music was hit by a tidal wave.

By 1965, new American sounds began to emerge…the Motown sound such as Diana Ross and the Supremes, the marriage of Folk music and Rock & Roll. The Byrds were America’s answer to the Beatles…Mr. Tambourine Man, Turn Turn Turn. The new genre of Folk Rock was born…Bob Dylan went electric, Sonny and Cher, Mamas and Papas, The Turtles,…1965 was another transition year….

1966 gave birth to yet another revolution…the Psychedelic Revolution!...the sound that shook the world…The Byrd’s Eight Miles High is considered by many music historians as the first Psychedelic song…they combined Indian Sitar music with John Coltrane’s jazz, along with folk rock…creating something totally different...a metaphysical sensation of flying! The San Francisco sounds of the Jefferson Airplane as well as London’s own Psychedelic Revolution set things in motion…LSD had a catastrophic impact….

The Psychedelic Revolution peeked in 1967 with the summer of love, Monterey Pop Festival, & the Beatle’s Sergeant Pepper album. The Paisley, day-glow images of the counter culture were in full bloom.

1968 would be a transition year with country music & hard rock making a comeback. Other new sounds would come and go…but not as revolutionary as the 1964-1968 period.


4.6 5.0 10 10 Was so happy to see pictures of the original 5 Byrds on site.The Byrds as a group ended with Sweetheart of the Rodeo.Prefer McGuinn Hillman Clark first album. Underrated. The Byrds

https://davidcrosby.com – official David Crosby site.

http://chrishillman.com – official Chris Hillman site.

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